Blog

The photographic blog of Sean Wood (aka motionid)

Kyodo Awa Odori

So the Tensyouren team my wife belongs to were at Kyodo in Setagaya again this year. It seems to be a tradition to make an appearance. It's really just practice for them for the big even at the end of August in Koenji.The streets are too narrow to take any real pictures but I go all the same and try to take a few snaps of team for the archives. This has prompted me to do a bit of street shooting in preparation for the event in August. Too mach time using medium format cameras has slowed my reflexes somewhat.

The Wedge

This building is around the corner from my office. After seeing the result I went out and tried to shoot it square without success. The format just didn't work.This was shot on the Voigtlander Bessa R2a with a 50mm @ f16 directly into the sun which is why you see the screwed b+w flare.

I like how the subject takes up the space in the frame in this shot. I also like all the textures and the exposure. Everything to me seems to have the right balance. The clouds, the flare elements fading into small lines on the left of the shot and the tonal balance overall.

Salaried man

This has to be one of the best shot's I've taken in a long while. I'd developed it a few months ago and had left it jammed in my Annie Leibovitz book to flatten out (you gotta maximize the value from those expensive books). I'd finally managed to get a few new rolls developed over the weekend and discovered several sleeves in the book I'd forgotten about.This shot popped right off the neg. It seems to have a timeless quality to it I'd like to explore more of.

Mirror realities

I started to shoot this series and felt it lacked depth but it has been siting on my computer for a while and I thought it should see the light of day. Inspired by Jon, it's trying to find a different way to look at the same space I use to visit many times a week. Anyway, now that it's out I can leave it alone and get on with trying to find a new subject (which is seeming to take a very long time).

Gathering

I have not shot a lot of candid street images for a long time. I've needed a break and a steady income to be able to have time to spend for this part time. This shot literally fell between the cracks. I missed scanning the whole roll and it's about 2 years old. Nothing else really worth keeping. I think I'm posting this for nostalgic purposes more than it being a shot of any substance. I might have to make a regular attempt to shoot a bit more of this once my other series' are done.

Shibuya back streets

In the recent past I have had a bit of a discussion with a follower of the blog. Conversations through the comments system that I have enjoyed have culminated in him sending me reference pictures of what he has suggested I shoot or post. This image is a reply to his recent mail.

I'm hoping (but not sure) that this shot hit's the mark. I might have to go digging in my archives a bit to find some more (or just go shoot a few new ones).

Frozen

frozen

Sometimes in the craziness of a Friday night at Shinjuku station you need to just stop or slow down. The man is caught in the moment where he just needs to stop and take stock of where he is, where he is going...just to think for a minute. If he was closing his eyes to the madness, that would be the shot to get.

Shots on a roll

If you have an monitor running 1920x1200 then open your browser to max and view th slide show.  Rather than cut these sequence of shots up I've left them how I've scanned them. When scanning 35mm I usually scan the whole strip to see what I've got and then go back and scan the ones I like at a higher resolution. The last part I never get round to doing. I just scan the strip and forget about it. I don't think any of these shots (maybe 1) have seen the light of day. I have a crap load of these. Figured this sequence was not a bad one in terms of quality vs number of shots taken.

Questions, comments and feedback are always welcome.