The photographic blog of Sean Wood (aka motionid)

Kodak Autographic Brownie


A recent comment on a Tokyo Tower photo I took a while back prompted me to write this post. I shot the photo with a early 1900's Kodak Autographic Brownie no.2 using a Fuji Polaroid back. The camera originally took a different kind of film that is no longer made. After checking the camera I thought I might be able to get away with using 120 film but could not work out a way to modify the original camera back without destroying it. And given the camera is actually not mine and kind of on permanent loan I figured that would not be a good idea. So I though perhaps I could connect a Polaroid back to it. After checking the size of my Hasselblad back with the camera it looked like the idea was going to work. But I needed to find a back that did not have a little window (like the Hasselblad or Mamiya) but had the film area fully exposed when the dark slide was out. A trip to the local camera store immediately paid off. I found myself a Fuji back in the junk bin for ¥525 which was quite lucky because I didn't want this little test to cost me and end in failure. I figured the easiest way to connect the back to the body would be with electrical tape and that once I had proved it would work I'd figure out a more permanent solution. After reading on line and discovering that the aperture would be around f/9 at it"s widest I took a shot and hoped for the best. The image you see above is the result I got. I was quite surprised at how the image turned out. You will see from the other images below how I modified the camera and the controls it offers. F/9, f/19, f/22. T, B, 25th, and 50th of a second shutter. And a viewfinder that is very cool and at the same time very hard to use. Feel free to share your old camera mod stories in the comments area below.


Sunset at mt. Fuji

Mt. Fuji sunset

I tell you I'm a bit hacked off with this Ektar 100 film. This is the 2nd roll I've shot of the stuff and this time I pushed it 2 stops. Should be no issues given I push another neg film and have never had problems. I have, however, had issues with getting Ektar developed at Horiuchi Color before. SO, this time I figured I'd go to the source and get it done at Kodak. Well, the bloody neg has blotches all over it. Spend a good 20 mins touching the crap out of it to make it look half ok. The OTHER issue is that they decided to charge me 1449 for ONE roll! And this is development only. I must say, I do like the colours I managed to squeeze out of the film but not if I'm going to get bent over a table on the price and they do a shoddy job of it to boot (the development not bending you over a table. That they are good at).I think I'll have to give Ektar a miss from this point on. Shame.