1950′s Paris Carpark
Another Paris shot. I'm finding there is no point to trying to correct the colours. I'm liking these shots just the way they look. It's a shame the Kodachrome look won't ever be revisited.
Blog
The photographic blog of Sean Wood (aka motionid)
Paris
I've been scanning slides from the family archive. This shot is 1956 Paris I believe. I'm hoping to eventually make a book out of it. The shots will be very random but at least they will be easier to see than as mounted slides in a dusty box in a draw.
Nara blossoms
The second shot of the roll that I took with the Holga when I went to Nara. This was the only other shot that worked.I have to say, I do enjoy the Holga's randomness when it comes to focus, colours, tones etc. You've usually either got an instant hit or a complete failure. This, I think was shot with Velvia 100.
Walled shadows of Nara
In an effort to keep a balance between a holiday and taking photos I too my digital camera and a Holga to Nara. Using Brett's trusty 1000 year old Velvia (that apparently had a speed range between 100 - 1000) I managed to squeeze about 3 semi usable shots out of the roll (not the films fault. Bloody f8 at 100 ASA!)I'm happy with the result. For some reason I value this a lot more than the 500+ digital shots I took that I have not posted.
Tokyo streets and stations
Random collection of old shots from around Shinjuku and a few stations.
Mini worlds
A shot from the mini world series from tha archives. This one has not seen the light of day yet.
Reflections
Reflections in a dam north of Sydney Australia.
Museum station tunnel
Lane 3
Lane 3 Narrabeen pool. Yet another taken in the same spot.
4am
The thing's you do for a shot.I've been inspired lately by Mike Stacey, flux and Teiko's photos and while on a trip to Australia I thought I'd have a shot at doing a sunrise. Woke at 4am, which was a bit early but once I was up I thought it best to stay awake.
Ended up leaving a bit late and arrived at Monavale beach just in time to see some colour in the sky. I wasn't sure what I'd have to shoot at (ISO) so I brought everything. Hasselblad with the Distagon 50mm, Planar 80mm and Sonar 150mm, a load of Kodak epp, GP and a bit of Provia 400x, my Canon 1D mark 3 with a 35mm prime, the Horizon 35mm panoramic camera and my light meter. My bag was brimming with gear.
Worried that I'd meter incorrectly, I used my Canon as a meter, which, in hindsight was a good idea.
The sky was amazing. Basically exactly like it is in the picture. After being away from Australia for so long I couldn't understand why the beach was not full of people. Instead, to my complete joy, there was almost no one there. One swimmer in the pool, a few joggers on the beach...the atmosphere was fantastic. Just the sound of crashing waves and this amazing sky that was changing by the minute.
Going out on the rocks (near where the pole in the photo is) was my biggest worry. I wore my shoes, worried that I'd slip with 2 camera's and a bag full of lenses which was a bit of a mistake. Ended up having to trash the shoes. During the shoot I discovered the tide coming in which made for some seriously wet jeans and a slightly wet camera bag but no real damage done.
Managed to take 11 rolls while I was out before it got too light.
And to finish off the morning I found a great cafe close by serving excellent lattes, muffins and fresh fruit and yogurt.
If you have a chance to go to Sydney I highly recommend shooting a beach sunrise. But do yourself a favor and make sure you know a great cafe near by for after. It's the only way to finish off a morning.
Interesting to note that none of my pictures turned out anything like those who inspired me. Credit though goes to Mike Stacey for the location. I use to live in Monavale for a time and after seeing his picture just thought it made sense to go back since I knew the area.