I knew I could see Mt. Fuji from Tamagawa on a clear day but I didn't know how great the sky was going to be when I set out to take a shot of the sunset. I figured I'd shoot a few digital shots to see what I could come up with along the river. So I took my 24mm and the 50mm with me. What I should have done was take to 70-200mm and a monopod. I think that might even be the plan for this afternoon. The interesting thing about this river that's got me all excited is the fact that I can see further than 3 feet in front of me. Typically in Tokyo you can't see into the distance and being from Australia where that's all you can see it begins to be frustrating. This must feel like of like a return home of sorts.Anyway, if you have no idea what you are looking at, just below the sun to the right is Mt. Fuji.
I tell you I'm a bit hacked off with this Ektar 100 film. This is the 2nd roll I've shot of the stuff and this time I pushed it 2 stops. Should be no issues given I push another neg film and have never had problems. I have, however, had issues with getting Ektar developed at Horiuchi Color before. SO, this time I figured I'd go to the source and get it done at Kodak. Well, the bloody neg has blotches all over it. Spend a good 20 mins touching the crap out of it to make it look half ok. The OTHER issue is that they decided to charge me 1449 for ONE roll! And this is development only. I must say, I do like the colours I managed to squeeze out of the film but not if I'm going to get bent over a table on the price and they do a shoddy job of it to boot (the development not bending you over a table. That they are good at).I think I'll have to give Ektar a miss from this point on. Shame.
Reflections in a dam north of Sydney Australia.